These photographs speak their own language of light and of objects that break in an unusual way on the surface of the water. They take the viewer on a journey into another world, which seems all the more alien since it is completely familiar because it is right on the doorstep. They are mostly photographs of Lake Constance, but not as a postcard motif, but as a dreamlike woven yet realistic water landscape. One could almost think that the images were digitally manipulated directly on the computer, but nothing like that. And no AI was used.
It is the light itself that directs and draws images on the surface of the water; mystical, enigmatic images that inspire the imagination, which are nested in each other and yet form an inner harmony. None of them is a copy or variation of another. Each shows a new way of seeing; completely different details from the interplay of light and water. And so the viewer is immersed in a world that so often only exists for a fraction of a second, only to immediately change its shape with the changing light. A world in flux, a subjective world of perception that has nothing to do with the supposed objectivity of the medium photography. It is a cosmos of reflections, reflections and superimpositions of different, unfamiliar levels of reality.